Cruzcampo makes the stretcher table the stage to reinterpret the Sevillana at the April Fair

Jane Anderson
Jane Anderson
Los cantantes alrededor de la mesa tocando las palmas y cantando

Cruzcampo has brought its cultural positioning to the April Fair with a proposal that turns the everyday life of the stretcher table into a creative musical stage. Under the “Tiny Mesa Camilla” format, the brand has brought together Califato 3/4, Falete, Tomasito and the Coro Azahar de Cantillana to reinterpret “A Bailar Ya Bailar”, one of the most recognizable Sevillian songs in the popular imagination.

The piece, recorded live at “El Tinglao” – the brand’s space during the Fair – proposes a reinterpretation built in real time, where the interaction between artists, public and context defines the result. The musical arrangement, signed by Califato 3/4, incorporates current references – from nods to digital language to new narrative structures – that coexist with the traditional codes of the genre, in an exercise that transfers the roots to the present without losing identity.

The proposal responds to a brand logic that Cruzcampo has been developing in recent years: understanding culture as something that is activated from within, through people and their forms of expression. “The idea is to bring together in the same space artists who, from different places, share a very recognizable way of expressing Andalusian culture”said Laura Pérez Gasparri.

The action is articulated around a staging that combines spontaneity and planning, with organic input from the artists and a narrative that evolves from an initial conversation to a collective interpretation. On the visual level, elements such as the Lola Flores costume worn by Falete reinforce the link with the Andalusian cultural imaginary, connecting memory and contemporaneity.

The creative idea and production of the “Tiny Mesa Camilla” format has been developed by N Team Comunicación, while the concept of the “El Tinglao” space has been worked on together with Ogilvy.

With this proposal, Cruzcampo reinforces its positioning around “accent” as a creative territory, using music and popular culture as a vehicle to build relevance and connection with new audiences, without giving up its link with tradition.